News

The colours of Autumn

News Update; “Remnants, Life in the Alps”

With the camper, a tall tripod, and a sturdy ladder, we headed back to Switzerland in search of the colors of autumn. From now on, I want to revisit every place more often to capture and convey a seasonal story in just a few images or in diptychs.

The latest chapter of Remnants, Life in the Alps takes us deep into the Engadin valley, winding over the Albula and Bernina passes and into the rugged beauty surrounding Pontresina and the Morteratsch glacier valley. This autumn has been something truly special. The forests have turned into a sea of bright yellow larches, their colour glowing against the cool granite of the high mountains and the first hints of winter snow. The contrast between fleeting warmth and encroaching cold has shaped both the atmosphere and the rhythm of this part of the project.

Working among these valleys has been a reminder of how life in the Alps is a constant dialogue between resilience and change , where traces of the past meet the quiet persistence of nature. I will return in Januari of next year to capture the snow and ice. More updates, images, and reflections from this leg of the journey will follow soon.

Prinsjesdag 2025

New work, made on a stormy day at the beach of The Hague.

For the upcoming exhibition at Museum Panorama Mesdag, I will be photographing along the coast of The Hague over the coming years, from Kijkduin to Wassenaar.

This series of coastal landscapes will enter into a visual dialogue with the works of the Hague School painters, who depicted this region in their own way in the 19th century.

As part of this series, I was present on the day before Prinsjesdag (Budget day) at the annual beach training of the horses of the Cavalry Honour Escort in Scheveningen. This special tradition, in which the horses are prepared for the crowds and noise of the royal procession, forms a unique and living part of contemporary coastal life, and therefore cannot be missing from my series. Like the painters of the Hague School, I am inspired by the light, the atmosphere, and daily life along the coast.

Remnants – Life in the Alps

Since my major accident in Kaprun, last April, I haven’t felt the urge to avoid the Alps. The mountains have always been part of me. That hasn’t changed. If anything, the accident has only made me more eager to return, to explore even more. And to capture their beauty through my lens. I don’t want fear to take away something I love so much. Have a look at the start of a great new project. In Autumn will return to the mountains of Switzerland and Austria.

Some of my earliest memories are tied to the towering peaks and deep valleys of the Alps; from the majestic Aletsch Glacier to the serene beauty of the Engadin. These landscapes have been a constant thread throughout my life, not only shaping my childhood but also my passion for snowboarding. Over the past 40 years, I’ve watched these mountains change; the glaciers shrinking, the winters growing shorter, and the rhythm of nature shifting. Tourism has grown, trails have filled, and yet, the essence of the Alps still pulls me back. They are more than a place to me, they are part of who I am.

The Alps holding the echoes of past memories and experiences, ‘Remnants’ gives a sense of preservation and passage.

About me

Jeroen Hofman 1976 — The Netherlands

THE PERSPECTIVE OF AN AERIAL PLATFORM

Whether documenting the city parks of Amsterdam and Rotterdam or the Frisian islands, I have a particular method: working from up high, standing on an elevated platform. The trouble of renting a hydraulic hoist for every shoot pays off: seen from a bird’s eye view, the architecture of the parks, or the vastness and tranquility of the islands, become clearly visible. It’s a height at which you can no longer understand what the people below are saying and the birds above you are just out of reach.

photo by Koos Breukel

For my latest project, ‘EILAND’, I visited the Frisian Islands in the Wadden Sea. They are a popular tourist destination in the Netherlands. The islands are the perfect natural escape; a place where endless thoughts make way for endless horizons.

A few works have since been bought by private collectors and the Ministry of Foreign Affairs for its embassies. Much of my commercial work is offered to me by people who have seen my personal work and want to incorporate my style or aesthetic fingerprint into their products or projects.

Jeroen Hofman (b. 1976, NL) studied photography at the Royal Academy of Art in The Hague. He experienced his big breakthrough with Playground (2011), a series in which he photographed emergency response training facilities in his now characteristic manner. Inspired by the work of Hans van der Meer, Edward Burtynsky, Gregory Crewdson and others, he began taking photographs from a high vantage point. Gradually, the role of the landscape became more important in his work. In Park (2018) Hofman documented communal spaces and how we share them. As well as producing autonomous work, Hofman also makes portraits. He has won several awards and prizes, including the Silver Camera twice: once for Playground and, in 2014, for a portrait of Hans van Manen.

For more info you can check this interview. © Koos de Wilt

Exhibitions & Awards

2025
Solo Exhibition 'Zeeland', June/August, Oostkerk Middelburg
2024
'Zeeland' Solo exhibition 2024, Galerie Wouter van Leeuwen
2024
UNSEEN PHOTOFAIR 2024, Galerie Wouter van Leeuwen
2024
200 Years KNRM, National Maritime Museum, Amsterdam
2023
'Human Nature', Groupshow, Red Cross/Prix Pictet. Genève.
2022
Soloshow, 'EILAND' Galerie Wouter van Leeuwen, Amsterdam
2022
'EILAND', Solo Exhibition, Fotomuseum Den Haag
2021
Silver Award, ADCN Awards, 'Bereft City'
2020
Lensculture Winner Critics' Choice Award
2020
Clervaux (L) Cité de l'image, Zeeland. Group Exhibition
2017
Noorderlicht Photofestival/NUCLEUS, Forensics, group exhibition
2016
Solo exhibition, 'Amsterdam Park', Amsterdam City Archives
2015
ADCN, Lamp, Portrait of Lieuwe van Gogh, Vrij Nedeland
2014
1st Price - Zilveren Camera - portrait single. Hans van Manen
2013
Grant, The Amsterdam Fund for the Arts, Amsterdam City Archives, documentary assignment 2013.
2012
AOP (UK), gold
2011
Critical Mass, Photo Lucida
2010
Honorable Mention New York Photofestival - Photographic Book
2009
Grant - Fonds Anna Cornelis
2009
Grant - Stichting Sem Presser Archief

Publications & Monographs

2015
WIRED magazine publication of Forensics
2010
GUP Magazine, Coalminers, The Black Issue CREATIE, guest editor in chief, 'Been there, done that"

Publications & Monographs

2015
WIRED magazine publication of Forensics
2010
GUP Magazine, Coalminers, The Black Issue CREATIE, guest editor in chief, 'Been there, done that"

Sign up

for my newsletter

Please select your desired language